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MOKI

Remember Breakfast at Tiffany's? I love filmography Hollywood Fifties-Sixties, and then Moki creations reminiscent of both the allure of women of the past haunted me.

You have already read in the "partnership" of my site that are testimonial in May 2010 by the brilliant designer of Atelier Monica Silva Moki www.ateliermoki.it , but do not know that we have set out in this partnership with an event Special May 22, 2010: a concert during the presentation of the spring-summer collection.

A sort of event-installation of admixture between the arts (photography, painting, music, fashion) a hymn to the sartorial taste and Italian creativity. For the occasion MOKI drew me a beautiful white dress and black forties you see in the photos.
The credit for the success of this flawless evening event is also all'imprescindibile contribution of the creative consultant and photo of Milena Lazzaroni MILE www.milenalazzaroni.it

This the music that I chose for the evening: Part

- L'amour et la mort
Bizet - Carmen - Habanera
Bizet - Carmen - Seguidilla
Bizet - Carmen - Chanson Boheme
Tosti - Chanson de l'adieu

Berlioz - Le Spectre de la rose

Berlioz - La mort d'Ophélie

Poulenc - Les chemins de l'amour

Part II - American Style

Arlen - Over the Rainbow

Gershwin - Summertime

Gershwin - The man I love

Kern - Smoke gets in your eyes

Weill - September Song

Henri Mancini - Moon river

An eclectic music program so it would not be possible without the valuable contribution of a colleague who I want to publicly thank: Maestro Samuel Shovel, which besides being a friend, since many spartitista year is my trust and working together since 1998.

A beautiful garden in the heart Bergamo, Via Nullo
Moki is the perfect event,

here I am in the midst of bags, hats and beautiful creations of haute couture

Credits: make-up and hair-stylist Erica Carmichael of Everline Center - Bergamo

Breast Rash Broken Capilaries

Draft Curtain

some months now, has begun the adventure of Draft Curtain with Fondazione Pergolesi Spontini of Jesi. Many wonderful theaters are owned by the Foundation in one of the most picturesque corners of the Marches, is an opportunity for personal and professional growth and stylistic depth that coincides with the celebrations of the tercentenary of Pergolesi. I have already had occasion to examine certain aspects of the University Pergolesi time with the late Professor Francis brilliant degradation, but go looking musicology at the musical performance is uplifting and practical source of reflection. In April I was approached for the first time - thanks to the suggestions Maestro Vincenzo De Vivo - two roles and I really like Pergolesi: Emirenus in some areas in Syria and in the Giustina Flaminio, performing "instrumental" in Pergolesi's vocal style is all in the service of the sung word, evocative and full "contrast" typically Baroque.

I worked the score with Maestro Morgan and by voice with Maestro Paul Barbacini. I opened an unknown world: the baroque. In fact, in the past I have approached the study of Purcell's Dido and crowning Monteverdi's Ottavia, and even performed the Gloria and Magnificat by Vivaldi, Pergolesi, but it is another world and still fascinates me, kidnap me. The music is sensual and evocative.

Now to dilute my thoughts of study, I put some pictures of the beautiful moments spent with colleagues from Project Curtain ... surely this post is not complete and will add more photos and thoughts.

outside the Teatro Pergolesi after a fun pizza party together

after Spontini concert at the Theater Curtain Project with colleagues,

the soprano Valeria Esposito - our teacher - and his little Lara